Planet Ill
By Elianne Halbersberg
It’s difficult to imagine two more diametrically opposed genres than country and Hip-Hop. At least that’s how it appears on the surface. Scratch a bit deeper, though, and you’ll find that the two aren’t thematically that far apart. Whether spoken word or rhyme, country and Hip-Hop are centered around the story: what do the words say, what do they mean, whose lives are depicted and how?
If you still aren’t convinced, listen to the Johnny Cash/Easy E mash-up of “Folsom Prison Blues,” or search for Wyclef Jean’s chilling live rendition of “Delia’s Gone.”
Or listen to Colt Ford, whose love for Hip-Hop announces itself all over his 2008 album, Ride Through The Country, and 2010’s Chicken and Biscuits, where he trades rhymes with one of his longtime idols, DMC, on “Ride On, Ride Out.” Ford is 100 percent country, no question, but the Georgia native grew up listening to Hip-Hop and earned his studio chops working with Jermaine Dupri. Remember Kris Kross? That was a Dupri/Ford production — one of many.
Last year, Ford performed over 200 live shows; this year, he’ll top that number. His songs have been chosen to represent the Professional Bull Riders Association, programming for college football and the Outdoor channel. Earlier this year he performed at the Grand Ole Opry.
Planet Ill spoke with Colt Ford about the making of Chicken and Biscuits, working with Jermaine Dupri, the parallels between country and Hip-Hop, and his desire to blur the lines between genres and stereotypes.
Planet Ill: You’ve had quite the year or two. Did you have any idea that the music you were making would catch on to such a degree?
Colt Ford: You hope and dream it will, but all you can do is make the best songs and hope people like them. There’s a lot of luck involved in this business. I’ve been very lucky.
Planet Ill: Let’s back up to what it was like growing up around Athens, Georgia, and how music became a part of your life.
Colt Ford: I always say, “I didn’t get into music; music got into me.” I really was always into it. When I was little I would beat on the dashboard of the car, and finally my parents got me some bongos, and then a drum set when I was 6 or 7 years old. I always liked percussion and the rhythm of music. I was raised listening to country music. My folks come from the country, but like a lot of kids, I got into hip-hop. I was intrigued by the Sugar Hill Gang, Run-DMC and anything creative or original. It doesn’t matter who it is; I appreciate talent and I’ve always listened to all kinds of music.
Planet Ill: What reaction did you receive, with parents who came from the country and growing up in a small Southern town, when you started listening to hip-hop? Did you hear any negative comments? Were there questions about your musical taste?